Stew Vreeland, Gray, Maine" "We call Tony Castro " a maestro" when we talk about him to people. Which we do constantly. I went to art school and have worked with artists my whole life. We are amazed at Tony's singular talents in a multitude of media. He can do anything. We first met Tony through his work for us at First Parish Church in Yarmouth, Maine. He did some astounding work there in complicated plaster mouldings, elaborate stenciling in a dozen colors and bronze and copper gilding. This was a High Victorian church interior with very high ceilings to cover with flowers and pinstripes and geometric devices. Tony was on the local news several times in the midst of this process. And the work won the church historic awards. I should add that Tony's research over several years and his almost x-ray vision brought this totally hidden jewel of an interior to light single handedly. Without Tony the interior was just a hazy 1930's memory in the mind of the church's oldest parishioner, and it had been painted over with an industrial silver colored paint that was not meant to be removed by any normal means. Tony merely took it as an inconvenience, a challenge. He has done a faux woodwork kitchen for us in a 200 year old Colonial house, and a very interesting paneled Trompe l'oeil ceiling in a double parlored Greek Revival sea captain's home on the river. He also did the interior of an Italian restaurant for us, murals floor to ceiling in Portland. And in our John Calvin Stevens renovated home he has done more amazing faux work that John Calvin would surly be swooning over. Tony has also carried coals to Newcastle by bringing his mastery to our home in Umbria, Italy. We were restoring a 1600's town house in a walled hilltop castle town and one very ornately painted room had been damaged by water and by the renovation. We had taken copious photos and tracings and measurements of the artwork and asked Tony to come and put it back together. A dear Italian friend who designed our garden and is a major artist and retired professor of architecture was up in arms. "Bringing an artist to Italy!", he stormed, clearly irritated. Until he saw Tony at work and immediately embraced him as a fellow artist worthy of all of Italy's respect. To this day we can't tell what parts Tony saved of the original and what parts he had to paint into this amazing room. I know he has our respect. We're proud to count him as a true friend. And recommend him as high as I know how to recommend anyone. |